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Orientation. How the studio is structured, how to study, and what to practice first.
CryBaby Ron Studio is where artists come to improve. Structure, flow, composition, and the design process behind Japanese work, taught by someone with 16 years of experience who actually wants you to get better.
The flow feels off. The composition doesn't hold together. The background looks like an afterthought. You know something's wrong but you're not always sure what it is or how to fix it.
Japanese tattooing has always been a style where the knowledge gets kept close. Artists don't share their process. There's no clear path. Most people are figuring it out by trial and error, reference hunting, and guessing.
This studio exists to change that.
Whether you're already doing Japanese tattoos and want to level up, or transitioning into Japanese from another style — this studio is for artists who are serious about getting better.
You don't need to be advanced. You need to be willing to draw, share your work, receive critique and apply feedback.
Ten core modules covering the fundamentals of Japanese tattoo design. New modules added every month. These aren't overview videos. Each module breaks down the underlying structure of the subject — so you understand how to build it, not just copy it.
Orientation. How the studio is structured, how to study, and what to practice first.
The basic guidelines that apply most to tattooing. Build a structural eye before you build a flash sheet.
Structure, rhythm, and clean layering. Build petals on construction lines so the whole flower holds together.
Build clean, powerful Japanese snake bodies from the ground up. Movement first, scales after.
The discipline of dimensional fish: volume, gesture, and how multiple koi arrange around a central flow.
First video in a three-part series. Deep dive into scale construction, density, and direction.
Applying the formula we built dragon heads with — now to the tiger. Same principles, different anatomy.
Gesture, weight distribution, and stance. Same body — three readings: still, crouched, and mid-leap.
Build clean, powerful Japanese dragon heads step-by-step. You'll learn the formula that scales to other heads too.
Build waves from the inside out. Structure, flow, crest construction, and the rhythm that ties a piece together.
This is where the real work happens. Post your drawings, get feedback from Ron and from other artists working through the same material. The community is active, honest, and genuinely supportive — artists helping artists get better.
On a good week inside the studio, you'll see drawing challenge submissions coming in, members giving each other detailed feedback, live call recordings, and Ron dropping in with corrections and commentary. It's a working room, not a content library.
Ron draws live, critiques submitted work, and answers anything you want to ask. These aren't polished presentations — they're working sessions where real problems get solved in real time.
Every month the community works through a focused drawing challenge together. Same subject, same timeline, everyone posting their progress. It's the best way to stay consistent and see your work improve alongside other artists doing the same thing.
Ron regularly takes member drawings and marks them up directly — showing exactly what's working and what’s not working and how to fix it. This is the kind of specific, technical feedback that's almost impossible to find anywhere else.
Understand the structure, the underlying forms, and why each decision is made.
Not to make something finished. To understand how it's built.
Post your work in the community feed. This is where the real learning happens.
Take what you learned back to the page. Draw it again. Better this time.
Same loop, next subject, that's how you actually get better.
Ron Smith has been tattooing for 16 years and has spent most of that time specialising in Japanese style work. He built this studio because he watched too many artists struggle with the same things he had to figure out on his own — and because the knowledge that makes Japanese tattoo design work has always been kept too close.
He teaches the way most artists in this industry don't. Openly. With detail. Showing exactly how he thinks through a design, what he's looking for, and why something is working and why it isn't working. Members consistently say it's the most direct, accessible tattoo education they've found.
The studio is built for artists who are serious about getting better. Show up, draw, share your work, and apply the feedback. That's how this works.
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